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The War Tapes



I love being a soldier. The only bad thing about the Army is you can?t pick your war.

?Sergeant Zaher Bazzi

As one of the features of this year?s Tribeca Film Festival (a project initiated by Robert DeNiro), ?The War Tapes? has the distinction of being a documentary about Iraq that was filmed by the GI?s themselves. In February of 2004, director Deborah Scranton was invited to ?embed? with the New Hampshire National Guard. Instead, she proposed that video cameras be allotted to the soldiers so they could?in her words?confront the wall of ?objectivity? and smash through it.

Considering the fact that the three men whose footage comprises the bulk of the film had no professional training, the work is a technical achievement. Scranton has taken their raw material and transformed it into a polished work of art. On another level, it succeeds as providing a kind of insight into the terrible waste of lives and treasure?both Iraqi and American?that dominates the headlines today and that has made George W. Bush the most unpopular president in a generation.

Those who are looking for explicitly antiwar statements from the soldiers might initially be disappointed as they watch the film, since it mostly projects the gung-ho attitude that marked the war and occupation from the early period. However, as the film and the men?s tenure drags on, there is more and more of a sense of futility about the whole project.

For students of popular culture, the film will evoke two other works almost immediately. When the GI?s speak about their ?job? in Iraq, they will remind you of the principals in ?Cops,? Fox TV?s long-running ?reality show?. Speaking into the camera, the cops talk about how much their career means to them, even if it involves being immersed in their city?s underbelly and being forced to confront ?bad guys? on a daily basis at the risk to life and limb. This basically is the attitude that the New Hampshire National Guardsmen exhibit throughout the film, except that the ?bad guys? are insurgents rather than crack dealers.

The film also reveals the basis for GI?s feeling this way, since most of their day-to-day activity consists almost exclusively of what might be regarded as police work. Mostly, they patrol the streets of Baghdad in HUMV?s or provide escorts for trailer trucks loaded with food and other necessities. The sole provider of such goods is Kellogg, Brown and Root (KBR), a subsidiary of Halliburton for whom the soldiers have little use despite their general support for what amounts to Halliburton?s war.

Full: http://louisproyect.wordpress.com/2006/04/22/the-war-tapes/



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