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Whisky
- To: PEN-L@xxxxxxxxxxxxxxxx
- Subject: Whisky
- From: Louis Proyect <lnp3@xxxxxxxxx>
- Date: Sun, 2 Apr 2006 12:31:03 -0400
- Comments: To: marxism@lists.econ.utah.edu
- Comments: cc: Paul Buhle <Paul_Buhle@brown.edu>
"Whisky" is a most unconventional Uruguayan film that played in art houses
two years ago. Using minimalist techniques associated with the U.S.
filmmaker Jim Jarmusch and Finland's Aki Kaurismaki, it tells the story of
Jacobo Koller (Andrés Pazos), a sixty year old Jewish man who runs a tiny
ramshackle stocking factory in Montevideo with three female employees. Two
operate the ancient machines. The other is his faithful assistant Marta
(Mirella Pascual), who is nearly as old as Jacobo and attends to his every
need.
Jacobo's mother died a year earlier and it is now time for her unveiling, a
Jewish custom that mandates the placing of a tombstone over the departed
family member's grave. For this occasion, Jacobo's younger brother Herman
(Jorge Bolani) will be coming up from Brazil where he runs his own stocking
factory. Since Jacobo apparently feels ashamed of his bachelor existence,
he persuades Marta to pretend that she is his wife during his brother's visit.
The plot has obvious similarities to "Go For Zucker," last year's film from
Germany that also involves a reunion of two Jewish brothers and an element
of deception, in this case one brother?a Communist and an
atheist?representing himself as devout in order to satisfy the requirements
of his recently departed mother's will. Unlike this film, the humor in
"Whisky" is bone dry. It also does not involve farcical plot twists?the
story moves along in a linear fashion not unlike the aging machines in
Jacobo's workshop. Finally, there is no epiphany in the final scene as the
characters reconcile with each other. The Jacobo we meet at the beginning
of the film?taciturn, depressed and aloof?is the same Jacobo that we see at
its conclusion.
full: http://louisproyect.wordpress.com/2006/04/02/whisky/
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