Re: [Marxism] Off The Wall

[Waistline2@xxxxxxx]

I am a life long Michael Jackson man. 
 
And proud of it. 
 
The âprison videoâ of âThey donât really care about usâ is 
sophisticated  
and intense. 
 
One can argue there is a visual logic that extends from the video  âBeat-It,
â âThe Way You Make Me Feel,â and  âThey donât really care about  
usâ as 
artistic renderings of what Marx called âthe proletariat, the lowest  
strata of present day society,â and what Lenin called âthe real proletarian 
 
masses.â 
 
Or simply the tough proletarian streets of America, spun to the tune of  â
West Sideâ story, updated and recast in the era finance capital in  
irretractable decay.   
 
The battle for the Michael Jackson franchise will be as intense as the  
ideological struggle to interpret his musical contribution.  Rendering MJ  
historical entered a new deeper phase the moment he died. Michael Jackson 
became 
 a historical force a long time ago. 
 
The first major ideological battle was dethroning Elvis as the âKing of  
Popular Music.â 
 
Michael is King. 

âThere is no higher.
All you suckers need to call him  sire.â  
 
The King is dead. 
 
I long ago froze Michael Jackson the man in history -1979, while enjoying  â
Thriller,â âBad,â âDangerousâ and âInvincible.â 
 
1979 was âOff The Wall.â 
 
Here the man that was Michael Jackson came to an end and the historical  
force would emerge with âThriller.â 
 
âOff The Wall.â 
 
To âlive life off the wallâ rendered Marvin Gayeâs âGot to Give it 
Upâ  
profound.  Same thing, different level. 
 
âBeat Itâ rendered âI Am Loveâ profound with Van Halen literally  
reproducing the exact same musical structure and solo guitar performanceâ 
 
Same thing, different level. 
 
Listen for yourself to the long version, seven minutes and twenty nine  
seconds. Wait for the transition. 2 minutes 40 seconnds into the sound you are  
on your way! 3 minutes and 40 second into the song the  so-called âVan  
Halen riffsâ begin. 
 
âBeat Itâ was not new. Just a deeper level. 
 
5 minutes in you see what I mean. 
_http://www.youtube.com/watch?v=GCVRnRhHuuA_ 
(http://www.youtube.com/watch?v=GCVRnRhHuuA) 
 
âI Just Canât Stop Lovin Youâ is pure 100% Motown in its delicate balance 
 
of European harmonic structure and African rhythm. The Motown Sound is 
defined  in the idiom of African American lore, which is of course the 
increasingly  uncomfortable lie called race relations. The Motown Sound is a 
specific 
American  North historical rendering of European harmonic structure and 
African rhythm, in  the post WW II era. Sure, this rendering can be further 
defined, but here I  object to calling Motown "grits, grocery and African 
American mysticism" without  a coherent logic. . 
 
Before the Motown Sound evolved it was called the âDetroit Sound.â Motown  
was the patented brand name and marketing means of the Detroit Sound. The 
owner  of the Motown Sound was Berry Gordy, a legend and songwriter of 
immense talent.  Gordy was a "general market businessman" as he defined 
himself. 
In street  parlance a hustler. 
 
II 
 
The 50 years of Michael Jackson - 1958/2009 is the framework, context and  
environment defining MJ as he defines and articulated the subtle social 
forces  driving American society. American imperialism made MJ a world force.  
MJ  came of age in the post war era at the far edge of the "baby boomers." 
 
All this pettifogging penning away about MJ not having a childhood  .  . . 
. âlike other childrenâ is pathetic. 
 
Exactly what âother childrenâ is one referring to? 
 
The children of the proletariat are uniformly bland in their remarkable  
sameness and joy. Childhood is bound up with social relations of class,  
neighborhood and dimensions of wealth. MJâs life mirror that of all young 
people  
living the experience of apprentice. Music production on the basis of 
capital  reproduction was the trade. MJ faired a lot better than most. 
 
Childhood? 
 
âLet me tell you about my mother!â
 
Who can pretend to not know that MJ story begins in Gary Indiana in a steel 
 mill town? Steel is a equal opportunity murderer of all.  Steel forges the 
 flesh that forge the steel. Joe Jackson, MJ father was a âBlade Runnerâ 
with a  purpose and relentless intensity that forged the family into steel 
with a  purpose.  
 
MJ âbrought us together.â  âHe crossed the color line and bridged the  
barrier between races.â âHe crossed over.â 
 
Bullshit. 
 
No he did not. 
 
Capital brings all us together as so many homogenized production units and  
subjectively combine the human spirit in endless rites and prayers of  
necromancy. Capital reproduces itself on a widening scale and so did Michael.  
Then capital is rendered abstract, as was Michael. 
 
If MJ âbrought us togetherâ . . . together  . . . . (âCome together  over 
meâ perhaps) how do this take place? His musical renderings are undeniable  
but to conquer the world requires imperialism in the epoch of capital. MJ 
was  not a tool of American imperialism. Rather, American imperialism was the 
conduit  for the export MJ's music. 
 
When the father outlives the son then the sonâs story is a narrative bound  
to the father. Somewhere in this story the jump from steel town to Motown - 
via  New York, to world town is part of the narrative. The story cannot be 
told  without the father because the father is alive. Joe Jackson was 
industrial  proletariat. Joe Jackson worked in one of the only integrated areas 
of 
society,  in the eerie/early 1950s - industrial production of steel: 
Factory town  USA.
 
Joe had huge dreams where others had big dreams. 
 
âA Guy Named Joe,â stands accused of lots of things including child sexual 
 molestation. Letâs assume these charges are true. MJ faced the exact same  
charges. Letâs assume that MJ would spend a life time trying to strip from 
his  mind and face fathers imprint. Now lets peel back the flesh and 
examines the  social relations of class manifest in Big daddy Jackson. 
 
Joe Jackson saw and felt what all men of the post WW II period of American  
history intuitively understood; economic expansion and the chance to ride 
the  wave of freedom from iron/steel chains to golden chains. See, 
capital-ism is the  long story of how men take their ankle chains of slavery 
and forge 
them into  gold chains that end up around their delicate necks. A rope is a 
rope is a rope  and a gold chain is a chain is a chain. Gold chains have 
driven men mad for 2000  years. 
 
As if you didnât know that. 
 
MJ set this process of capital accumulation to music, as his technique was  
honed in industrial Detroit. Berry Gordy minted gold and Michael moon 
walked in  gold chains, symbolic military uniforms and glitter. 
 
itâs the gold chains that hang a mutherf**ker. 
 
and cause one to wonder why? 
 
You know why.  
 
Stop playing. 
 
All this back flogging and kowtowing to the bourgeois family form, with its 
 oceans of concerns about Michael Jackson kids, the biological mother, who 
is the  real daddy and why a woman gives away her child custody for money is 
capital  heresy against capital.  The talking televisions heads - the media 
pundits,  give less than a fuck about Michael kids, my kids, your kids or 
their own  children. Their endless torrents of words, pretending that the 
bourgeois family  form has nobility and purity, only secure their next paycheck 
and television  ratings. Michael Jackson kidsâ daddy is Michael and these 
babies got a momma. 
 
Thatâs it. There is no more. Long live babies momma. Whoever she be. 
 
Capital gives less than a fuck about your family, my family or its own  
family. Capital eats little baby capital and has no family. 
 
You know good and well why people give away child custody for money. 
 
Spend a week in child support court on a fact finding tour. 
 
Adults sell children, born and unborn for money as our way of life. People  
sell their children for dope. Adults sell adults by the hour, day and week 
and  sell themselves for money and wages as a way of life. Then pretend we 
are not  selling ourselves. Capitalism as market economy converts every 
aspect of human  existence into the battle royal for selling and buying. The 
media pundits are  full of shit. 
 
When woman began to bail out and owe child support and sell their custodian 
 rights then it is time to abolish these categories and reorganize society 
where  bailing out is institutionalized and welcomed. âYou donât want your 
kids?  Good!  . . . . . Bye!â 
 
âWe can handle this.â 
 
We can turn two states within the United States into big ass playgrounds  
and child care centers. Instead of putting young people in jail for smoking a 
 joint send their ass to playground for 90 days. Better yet, decriminalize  
marijuana. 
 
Did Debbie Roe - babies moma, relinquish her parental rights? Donât make  
any difference. Michael had enough money to beat your ass down and make you  â
beat it!â 
 
Plus he was weird. 
 
The idea that the Jackson family is more dysfunctional than the average  
American family is silly. How is the Jackson family more dysfunctional than 
your  own fucked up family? Because Joe Jackson kicked everyoneâs ass in the 
house  and molested the girls? Sounds a bit like my dad, except the molesting 
 the girls part. The other difference is that we did not become rich and 
famous. 
 
In my house, there was one girl and five boys and we watched sister day and 
 night. Plus, dad was not into little girls and had plenty of women in the  
neighborhood. Nothing ever happened to sister other than her becoming 
psychotic  from having five ignorant brothers following her throughout life. 
She 
would  never find a decent husband or man, because we were always 
threatening to kill  someone for âmessing with my sister.â 
 
Sister became a Minister and can't stand any of us. She greets us by  
politely letting us know that we can go straight to hell, with the utmost of  
quick. 
 
Did Joe use corporal punishment? Yep! I believe he did based on testimony  
of the Jackson family. The difference between Joe Jackson and my dad was my  
father hit harder and was a semi-pro boxer. Men of this generation were  
different and did not mind going straight the fuck to your ass or chin. Dad 
did  the war thing and then a tour in Korea. We would say, âmoma, something 
wrong  with daddy.â 
 
Was Joe and Michael bad dadâs? 
 
Measure them against your own shell shocked dad. 
 
That is to say, all of you who have a father in the household. A bunch of  
yaâll ainât got a daddy. 
 
Half of us with fatherâs in the household, half the time wish he was not.  
One quarter of the remaining half wish dad had a good paying job and would 
stop  eating the big piece of chicken! Hell, I couldnât wait to grow up and 
get the  big piece of chicken and the biggest slice of pie. Well, today I get 
the big  piece of chicken and if the grandchildren ever ask why, I am 
saying nothing and  proceeding to kick their little asses with the utmost of 
quick. 
 
The newspapers will read, âGrandfather slays grandchildren over chickenâ  
and the proletarian masses are going to say, âI donât think heâs 
guilty.â 
 
Joe Jackson kicked ass and his family became famous. Big Mitch - my dad,  
kicked ass and half of us became communists and militant trade union leaders 
and  a preacher. Go figure. 
 
âThey donât really care about us.â 
 
They care nothing for us or our families or a mutherf**ker could get some  
single payer national health care around this joint.  
 
Michael Jackson dead  . . . . Dead than a mutherf**ker, and this hit  me 
pretty hard. 
 
My heart is heavy. âYou canât take my blues away.â 
 
See, U donât git it. 
 
MJ face began as Joeâs face as this face was steeled. MJ âs nightmares 
were  Joe Jacksonâs nightmares at a deeper level. 
 
Is not Michael Jacksonâs naming âMichael Joseph Jackson.â 
 
âI like to be yours
Tomorrow.
So Giveme some time
To get over  today.
But.
You canât take my blues away.
No matter what you say baby.â 
 
Blues Away 1976. _http://www.youtube.com/watch?v=ftBXGIdOFsw_ 
(http://www.youtube.com/watch?v=ftBXGIdOFsw) 
 
See, âBlues Awayâ was one of the first songs Michael wrote in 1976, after  
the Jacksonâs left Motown. The 1976 album, âThe Jacksonâsâ is quite 
good 
and  spins on the Motown - Philadelphia International axis. The Jacksonâs 
new  contract paid them 20% per unit sold rather than the 2.8% standard 
contract at  Motown. The singer paid everyone in Motown. The house band had to 
be 
paid as  well as the songwriters and producers. 
 
Gordy did not pay the union scale. Ed Wingate would pay union scale and  
then some and his Golden World/Ric Tic Records possessed the exact same â
Detroit  Soundâ because all the musicians moonlighted at Wingateâs Studio. 
This 
is  another story but the reason the Jackson 5 left Motown. 
 
Sorry Smokey. 
 
The Jacksonâs new contract also made it possible for them to write and  
produce their own material. See, under slavery many of the slaves had a chance  
to farm their own little plots for food. The Jacksonâs were not asking to 
own  the studio factory, just the right to farm their own little plot of 
music. 
 
Capital/money is so much slavery. Just as master own your name so did Gordy 
 own the name âJackson 5.â The tragedy is that the Jackson family could 
not have  gone on to greatness without Berry Gordy in the flesh. 
 
Michael became capital at an early age. 
 
Capital/money in its productive mode passes to the abstract or capital as a 
 notional value. So did MJ face. He felt and lived the process, but did not 
 understand the process he manifested. His face became abstract, not white 
unless  one means âwhiteâ as in decay - âthe abstract,â and then death. 
Michael Jackson  was bled white. 
 
And then he died. 
 
Michael Jackson was addicted to drugs, painkillers. 
 
And âââââ.? 
 
Sometime people need dope to medicate their pain, real and perceived. When  
the Bible does not give you relief get yourself some drugs. 
 
Or Marxism as a way out. 
 
I ainât never heard of a Marxist that could sing and dance like Michael  
Jackson. 
 
Why is that? 
 

III.
 
Capital in the era of Michael Jackson repackaged debt into âfinancial  
instrumentsâ and sold them, using this debt as valued assets instead of 
bricks  
and mortar. Remember when an asset was a machine? MJâs debt became so much 
of  the new assets and by all accounts he did not give a flying fuck about 
money. MJ  spent money he did not have on a scale that is mind boggling, 
carrying a  reported debt load of half a billion. $500,000,000! Good for him. 
 
Under capitalism, the real proletarians life aspiration is to die owing  
capital the greatest sum of capital possible.  
 
Lots of money is going to be made off of Michael Jackson dying. Huge nasty  
money. 
 
IV. 
 
There doctor reporting to be present during the moments death caught up  
with Michael is reported to have disappeared. 
 
Makes sense to me and this implies no wrong doing on his part. If I was the 
 doctor I would have left the moment the EMS arrived and put the body into 
the  emergency vehicle. There is so much money tied up with MJ that one 
needs to get  a lawyer to prove that the âsomethingâ you did not do, really 
wasn
ât done. The  doctor is cooperating but he needed a lawyer. 
 
V. 
 
Capitalism keeps one back up against the wall because its back is against  
the historical wall. 
 
âOff the Wallâ 
 
What part of this donât you get? 
 
The âOff?â 
âTheâ or the âWall?â 
 
How does one sell 109 million copies of a single original album without the 
 market in China? 
 
Thriller, as a single original album release, did 109 million units world  
wide and no one comes even close. 
 
Why do people love Michael Jackson? 
 
The music. Itâs that simple. 
 

See what Iâm saying. 
 
WL. 






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