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[Marxism] Andrew Jackson: slave-owner and Indian killer



The New York Review of Books
Volume 56, Number 9 · May 28, 2009
Goodbye to the 'Age of Jackson'?
By Daniel Howe

American Lion: Andrew Jackson in the White House
by Jon Meacham
Random House, 483 pp., $30.00

Andrew Jackson
by Robert V. Remini
Palgrave Macmillan, 204 pp., $21.95

Waking Giant: America in the Age of Jackson
by David S. Reynolds
Harper, 466 pp., $29.95

Throes of Democracy: The American Civil War Era, 1829–1877
by Walter A. McDougall
HarperPerennial, 787 pp., $19.99 (paper)

During the years between the War of 1812 and the Mexican War of 1846,
the United States underwent a great transformation. In 1815, at the
close of the second war with Britain, the US was what we would call a
"developing" country. Most people worked in agriculture, often on
semisubsistence family farms, eating food they grew, their lives
governed by the weather and the hours of daylight. It was the slowness
and uncertainty of transportation and communications that kept their
lives so primitive. Only people who lived near navigable water could
readily market crops; others relied heavily on barter with their
neighbors and the local storekeeper. Only luxury goods could bear the
cost of long-distance transportation on land, and information from the
wider world was among the most precious of luxuries.

Thirty-three years later, in 1848, at the end of the war with Mexico,
much had changed. The United States had become a transcontinental major
power. Its expanded empire stretched from sea to sea, integrated by
revolutionary innovations in transportation and communications. These
included the railroad, the telegraph, the steamboat, the Erie Canal, the
steam-operated printing press, and innovations in papermaking. The
mechanization of agriculture had begun, with Cyrus McCormick's invention
of the reaper in 1831 and John Deere's steel plow in 1837. Techniques of
mass production, even more important than mechanical inventions, were
starting to transform manufacturing's age-old artisan traditions.
Little Bookroom / Savoir Fare London

These innovations not only raised the standard of living but also
fostered the growth of democracy. Improvements in communications rescued
people from the tyranny of isolation. Cheaper paper, more efficient
printing, and faster transportation encouraged the proliferation of
newspapers and magazines. These could be distributed through the mails
thanks to federal policies that multiplied small-town post offices and
subsidized printed matter with low postage rates. The press in turn
facilitated the development of nationwide mass political parties. Many
newspapers were put out by political parties (or factions within
parties) and existed more to voice a point of view than for commercial
reasons. American democracy expanded as rival candidates exploited the
newspapers and magazines to appeal to the nationwide public. Andrew
Jackson filled his "kitchen cabinet" of informal advisers with
newspapermen. By 1840, as many as four out of five qualified voters were
going to the polls—a far higher level of participation than has been
achieved by the expanded electorate of recent decades. Mass democracy
had replaced the patrician republic created by the Founders.

Since this "middle period" in American history is so interesting and
important, why does it get so little attention compared with the
Revolutionary era of the Founders and the time of the Civil War? Even
academic historians have had little to say about it in recent years, if
one may judge from the number of papers presented at meetings of the
Organization of American Historians. The answer seems to have something
to do with the identification of this period as "the age of Jackson" or
"the Jacksonian era."

Andrew Jackson has long been at the center of attention for the years
from the War of 1812 to the war with Mexico. Rising to a position of
political dominance in a peaceful revolution, he has seemed to personify
the common man as an American hero. Over the years the identity of this
"common man" has shifted. For the Progressive historians Frederick
Jackson Turner and Vernon Louis Parrington in the early 1900s, the
common nineteenth-century American was a frontier farmer. For the New
Deal Democrat Arthur M. Schlesinger Jr., he was an urban workingman.
Still, Jackson could be portrayed by all three as the leader of a
democratic movement.

During the past half-century the records of many national heroes have
come under challenge, and none more so than Andrew Jackson's. Historians
noticed that Jackson, the symbol of American democracy, was an ardent
white supremacist. Upon assuming the presidency in 1829, Old Hickory's
highest priority was "Indian Removal": the expulsion of the Native
Americans who lived east of the Mississippi to designated areas west of
the river. Against strong opposition, Jackson pushed his removal measure
through Congress by narrow margins and then enforced it ruthlessly.
Turner, Parrington, and Schlesinger all ignored Indian Removal when
writing about Jackson's presidency; more recent historians could not do so.

Jackson was not only a slaveholder himself but a strong defender of
slavery against its contemporary critics. In 1835 abolitionists began to
mail their literature to prominent Southern whites who they hoped might
be open to persuasion. Jackson interpreted their action as inciting the
slaves to rebellion; he expressed his loathing for the abolitionists
vehemently, both in public and in private. With the President's full
support, Postmaster General Amos Kendall encouraged local postmasters to
censor the mails. When Congress responded with a statute mandating that
mail be delivered to its addressee, Jackson's administration ignored it.

Jackson's embrace of class conflict has endeared him to some liberal
historians, notably Schlesinger. When vetoing the bill extending the
charter of the Second Bank of the United States, Old Hickory wrote this
memorable denunciation:

The rich and powerful too often bend the acts of government to
their selfish purposes. Distinctions in society will always exist under
every just government. Equality of talents, of education, or of wealth
can not be produced by human institutions.... But when the laws
undertake to add to these natural and just advantages artificial
distinctions, to grant titles, gratuities, and exclusive privileges, to
make the rich richer and the potent more powerful, the humble members of
society—the farmers, mechanics, and laborers—who have neither the time
nor the means of securing like favors to themselves, have a right to
complain of the injustice of their Government.

It should be evident that Jackson's notion of class did not pit the
propertyless against capitalism, but (as the historian Richard
Hofstadter long ago pointed out) rallied believers in bourgeois values
to denounce government favoritism to a privileged few. Beginning with
Edward Pessen's study Jacksonian America in 1969, the claim of Jackson's
political movement to egalitarianism has been under serious challenge.

With regard to gender, Andrew Jackson proved a staunch defender of
patriarchy. "I did not come here [to Washington] to make a Cabinet for
the Ladies of this place," he declared in reaction to a group of
Democratic women who shunned the wife of his secretary of war, John
Eaton, because of allegations that she was sexually promiscuous and that
her affair with Eaton before their marriage had driven her first husband
to suicide. As the scandal grew more intense, Jackson told his cabinet
members that he expected them to keep their wives in line. Rather than
admit the existence of a social sphere in which women exercised
autonomy, Jackson then replaced his entire cabinet.

As Jackson's standing in the American democratic pantheon has been
shaken, public interest in the middle period of US history as a whole
has diminished. Without Old Hickory as a unifying focus, no alternative
intepretation of the era has yet captured the popular imagination. To be
sure, efforts have been made to reconstitute the "Jacksonian" character
of the time. In 1991 Charles Sellers described his vision of an evil
"Market Revolution" forced upon unwilling, noncommercial farm families—a
vision that resembled that of Vernon Parrington to a surprising extent.
In this morality play, Jackson led the vain but heroic resistance to
commercial capitalism.

However, economic historians have not confirmed Sellers's celebration of
subsistence farming, and have pointed out that Americans were dealing in
a global market as early as colonial times. As recently as 2005, Sean
Wilentz restated Schlesinger's interpretation of Jackson as the cutting
edge of "the rise of American democracy." But Wilentz has moved away
from the history of the nineteenth century, as did Schlesinger himself,
and into the politics of the present. For the most part, both historians
and the general public have found it harder and harder to regard Jackson
as an authentic democratic hero.

Against this historiographical background, we now have Jon Meacham's
American Lion: Andrew Jackson in the White House. One can only marvel
that the editor of Newsweek finds so much time and energy for historical
research and writing. Like Meacham's other books, his new one is well
written and reflects study of original manuscript sources. It contains
more personal detail and charming anecdotes about White House life in
the Jackson years than any other book since Marquis James's Andrew
Jackson: Portrait of a President (1937). Meacham places himself in the
mainstream of present-day American liberalism. Accordingly, he makes no
effort to defend Indian Removal, justly concluding, "There is nothing
redemptive about Jackson's Indian policy."

Meacham is loath to admit, however, that there was a difference between
the Indian policy pursued by Andrew Jackson and that of his predecessor
and political opponent, John Quincy Adams. Jackson zealously pursued
Indian Removal as a major goal of his administration. On the other hand,
Adams tried as president to respect the Indians' treaty rights as best
he could even while recognizing that the behavior of their white
neighbors made this very difficult. After Jackson's inauguration, Adams
saw that the Indians were likely to lose their land, but he wanted to
expose the "perfidy and tyranny of which the Indians are to be made the
victims." Jackson rejoiced in Indian Removal as a triumph for himself,
his party, and US national interests. His instructions to the army
officers who carried it out always emphasized haste and sometimes
economy, but never the need for humanity, honesty, or careful planning.
Adams recalled Indian Removal as "a perpetual harrow upon my feelings."

Meacham's evaluations of Jackson's other policies in office vary. Arthur
Schlesinger had glorified Jackson's "war" on the national bank as an
attack on big business that prefigured FDR's assault on "malefactors of
great wealth." Meacham adopts a more detached and judicious perspective.
"On balance," he writes,

it seems most reasonable to say that the nation's interests would
have been best served had the Bank been reformed rather than altogether
crushed, but balance was not the order of the day once Jackson
decided—as he had done early on—that the Bank was a competing power
center beyond his control.

Meacham praises Jackson's handling of the Nullification Crisis of
1832–1833, as everyone does today, and as even the opposition party did
at the time. South Carolina "nullified" two federal tariff acts when a
special convention declared them null and void within that state.
Jackson's credible threat of military action to enforce federal law
combined with Henry Clay's famous aptitude for compromise resolved the
crisis with the promise that the tariff would be gradually lowered. On
the other hand, Meacham grants that Jackson's Specie Circular of
1836—which required payment for government land in gold and silver and
not paper currency—nudged the country into a sharp recession that turned
into a prolonged depression. In short, Meacham's verdicts on Jackson's
presidential policies are mixed and restrained.

Yet at the end, Meacham glorifies Jackson as a lion in the White House.
He rejoices that Jackson was a strong president, and that later strong
presidents—the two Roosevelts and Truman—looked back on his example with
approval. Well, yes, Jackson was a strong president, but his strength
was charismatic and personal rather than institutional. He did not
strengthen the presidency as such; if anything, his abuses of power
(such as removing the government's deposits from the national bank, in
defiance of statutory law) made people fearful of the executive branch.

After Jackson, there commenced a series of weak presidencies. Of his
next eight successors, only one, James Knox Polk, could be considered
strong, and even he served only one term. The next strong president,
Lincoln, had belonged all his adult life to the party opposed to the
Jacksonian Democrats (that is, first the Whigs and then the
Republicans). Lincoln was certainly no disciple of Jackson's, although
he cited Jackson's resistance to nullification once in a while for
tactical reasons. Lincoln pursued the policies of John Quincy Adams, who
shared his loathing for slavery, supported much the same program of
federal aid to transportation, education, and industrialization that
Lincoln enacted, and foresaw not only civil war and emancipation, but
even the mechanism by which emancipation could occur—the presidential
war powers.

A further irony cries out for notice. Why should a liberal like Meacham
celebrate a strong presidency per se? Maybe Barack Obama will be
accounted a strong president. But as of now we haven't had a strong
liberal Democratic president for over forty years. We have had some
strong Republican presidents in that time: Reagan, Nixon until overcome
by Watergate, the younger Bush until overcome by Iraq. Hasn't Meecham
read Schlesinger's Imperial Presidency , which testified to the author's
disillusionment with a strong executive?

Robert Remini, official historian of the US House of Representatives,
has devoted most of his long and prolific career to lives of Andrew
Jackson and his famous contemporaries Henry Clay, Daniel Webster, Martin
Van Buren, John Quincy Adams, and Joseph Smith. His latest book is a
military biography of Jackson that appears in a series called Great
Generals, edited by former NATO commander Wesley Clark. Lucid and
straightforward, it will no doubt prove useful to cadets and military
history buffs of all ages, and it will remind students of political
history that Jackson always remained primarily a military man. Remini is
a scrupulous and honest researcher who never bends his findings to his
wishes. Although he much admires Jackson, Remini admits that his hero
obeyed orders only when he agreed with them, committed wholesale
violations of civil liberties, and owed his victories as much to luck as
military skill. By my count, this is Remini's fourteenth book on
Jackson. If there is anything very new in this one, he doesn't point it out.

David Reynolds's ambitious book, Waking Giant: America in the Age of
Jackson , is the work of a literary historian who has turned to the
social context of literature (what literary scholars call "cultural
studies") and then to history itself. Clearly he wants to remedy the
lack of public interest in the middle period, a worthy goal, and to call
attention to the rich diversity of America in that era. Accordingly,
Reynolds writes about politics and popular culture, literature, drama,
and art, and he is particularly perceptive in his comments on painting.
He describes the religious movements of the day, emphasizing their
multitudinous variety. Bizarre fringe groups especially engage his
attention. He gathers together in one chapter "reforms, panaceas,
inventions, [and] fads," including a good account of the temperance
movement and some elementary history of science. Reynolds explains his
approach this way:

Most overviews of the period slight its bumptious, nonconformist,
roistering elements, its oddities and cultural innovations—its Barnum
freaks, crime-filled scandal sheets, erotic pulp novels, frontier
screamers, mesmeric healers, half-mile-long paintings; its
street-fighting newspaper editors, earth-rattling actors, incarcerated
anarchists; its free-love communes, time-traveling clairvoyants,
polygamous prophets, and table-lifting spirit-rappers—all of which
created social ferment and provided fodder for energetic American
literary and artistic masterpieces.

Unfortunately, Reynolds never develops an interpretation of his period
beyond his fascination with variety and oddity. He does not recognize
the spiritual hunger that the various religions addressed, the moral
earnestness of the varied reformers, or the very real differences of
policy between the rival political parties. He never explains why people
had such intense faith in progress, or the relationship between science
and religion at the time. He presents considerable material on sex,
including masturbation, prostitution, and abortion, but seems chiefly
interested in the sensational aspects of the material, like the coverage
in the penny press of the murder of the prostitute Helen Jewett.
Reynolds makes superficiality a virtue; America, he keeps insisting, was
superficial, sensational, and tawdry.

While trying to break new ground, Reynolds retains the conventional
sense that Andrew Jackson embodied the democracy of his period; to
believe in democracy was to support Jackson politically. Accordingly,
Reynolds minimizes Jackson's white supremacist policies. He represents
Indian Removal as simply reflecting a consensus among whites, ignoring
the powerful opposition to Jackson's expulsion program. He characterizes
Jackson's censorship of antislavery mailings as a moderate measure
designed to "prevent conflict over slavery"; it would be more accurate
to describe it as designed to protect slavery from criticism.

Only three years before the publication of Waking Giant , Reynolds
published John Brown, Abolitionist , portraying the antislavery fanatic
as a hero and denying that he was a terrorist, despite his murders of
Southern settlers in Kansas. It is quite impossible to reconcile
Reynolds's celebration of Brown's militant version of abolitionism with
his defense in this book of Jackson as a racial moderate. One is left
wondering whether Reynolds was attracted to Brown's career simply
because of its hopeless, useless violence, and the drama of his defeat.

"This period can be divided culturally into the pre-Jacksonian and
Jacksonian phases," Reynolds writes. "The dividing point between the two
phases occurs around 1828, the year Jackson was first elected president
and became a truly symbolic, and controversial, hero of the people."
Before 1828, Reynolds explains, the pre-Jacksonian writers Washington
Irving and James Fenimore Cooper produced works under the influence of
European models. After that date, American literature became more
independent, reaching its enduring greatness under the leadership of
Emerson, Thoreau, Hawthorne, Whitman, and Melville.

We can agree; but tying this evolution to party politics doesn't work.
Cooper supported Jackson's Democratic Party, and Irving accepted office
under Jackson. On the other side of the divide, Emerson and Thoreau
never identified with Jacksonian democracy, while Whitman quit the
Democratic Party in disgust at its proslavery position well before
publishing Leaves of Grass. Hawthorne was indeed a partisan Democrat,
but took his literary inspiration from Puritanism, not Jacksonianism.
Melville's Ahab is a sinister embodiment of demagogy. It is surprising
that Reynolds, a respected literary historian, puts forward such a
simplistic political interpretation of literature.

Whatever usefulness Waking Giant might possess is vitiated by a
multitude of factual errors, particularly evident when Reynolds is
discussing political matters. The Monroe Doctrine did not actually arise
"from a quarrel with England." Andrew Jackson was not the first
president to use the pocket veto. The Liberty Party was not the same as
the Free Soil Party. Mormon prophet Joseph Smith was not arrested for
polygamy, but for suppressing a critical newspaper in Nauvoo, Illinois,
where he was mayor. Secretary of the Treasury William Duane was not "a
supporter of the BUS [Bank of the United States]"; he opposed its
recharter but declined to violate statutory law by removing the federal
deposits from the bank in the absence of a finding that they were unsafe
there. In listing Whig presidents, Reynolds includes John Tyler, who was
expelled from the party, and forgets Millard Fillmore.

Citations are frequently ambiguous or not supplied at all, even for
remarkable assertions such as this one: "Premarital pregnancy rates fell
from 30 percent in the late eighteenth century to under 10 percent by
1850." Reynolds's latest book is, accordingly, not simply a failed
effort but quite unworthy of the author of such fine works as Walt
Whitman's America (1995) and Faith in Fiction (1981).

For a similarly broad-based work, celebrating American cultural
diversity in Whitmanesque fashion and more sympathetic to Andrew Jackson
than I am myself, a much better choice would be Walter A. McDougall's
Throes of Democracy: The American Civil War Era, 1829–1877. The title is
a quotation from Whitman's Leaves of Grass: "And sing me before you go
the song of the throes of Democracy." McDougall has his quirky likes and
dislikes, which keep a reader engaged; he has new ideas on some
subjects; and he provides information that is much more reliable than
Reynolds's.

McDougall is not in the least intimidated by current intellectual
fashions. He is more critical of Andrew Jackson for destroying the
national bank of his day than for his part in expelling the Indians from
east of the Mississippi. He is surprisingly critical of Lincoln, whom he
accuses of alienating Virginia by a premature call for troops to
suppress South Carolina's rebellion. He portrays an age in transition,
when Americans too often deluded themselves with self-righteous
pretensions, an age in which he finds parallels with our own, but not
the simplistic ones of conventional historiography.

McDougall's characteristically imaginative assessment of the two
political parties of the middle period deserves quoting at length:

Who were the conservatives and who were the liberals in this second
party system? If one adopts twentieth-century definitions it might
appear that the libertarian Democrats were the conservatives and the
statist Whigs the liberals. But in the parlance of nineteenth-century
Britain, where the labels originated, the reverse would be true.

In regard to slavery, free-soil Whigs would appear the liberals and
the Democrats supporters of a racist status quo. But in regard to
workers' rights as understood later in the century, neither party was
"progressive." In regard to ethnic and religious tolerance the Democrats
would appear the liberals, since they embraced Catholics and immigrants.
But in regard to education and social reform the reverse would be true.

The only way to get a grip on the growing divide among Americans in
the mid-nineteenth century is to purge our contemporary notion of the
political spectrum and try instead to imagine the ambivalent anxieties
of a freewheeling people with one foot in manure and the other in a
telegraph office.

McDougall's juxtaposition of manure and a telegraph office is an
inspired metaphor for the changes of the period he treats. Andrew
Jackson arrived in Washington in a carriage in 1829 and left eight years
later on a train. The revolutionary consequences of new technology in
transportation and communications that transformed American life during
the middle period can provide a better focus for historical writing than
a personality cult focused on Jackson himself.

The term "Jacksonian America" is inappropriate and misleading. Jackson
was a divisive figure who polarized people and whose policies as
president proved as often harmful as beneficial. Taking Andrew Jackson
to typify early-nineteenth-century America does a disservice to our
country's history, which has many interesting aspects and admirable
people outside the orbit of Jacksonian Democracy (originally the name of
the Democratic Party, not a general characterization of the United
States). Most Americans today consider the abolitionists heroes, though
Andrew Jackson hated and feared them. Other candidates for present-day
honor include DeWitt Clinton, mastermind of the Erie Canal, built by the
State of New York; Horace Greeley, crusading journalist; Horace Mann,
advocate of state aid to the public schools that would create a literate
citizenry; Lucretia Mott, Quaker feminist; and the black polemicist
David Walker.

Jackson's partisan rivals the Whigs, often disparaged simply as snobs
who couldn't reconcile themselves to equal rights, actually have a
strong claim on our respectful attention. The Whigs (their name was the
traditional one for critics of executive abuses in Anglo-American
history) understood the benefits of economic development and wanted
government at all levels to promote it. They, not Jackson, endorsed
federal government intervention in the economy. When the stock market
crashed in 1837–1839, the Whig leader, Henry Clay, declared the American
people "entitled to the protecting care of a parental Government." The
Democrats, led by Jackson's chosen successor Martin Van Buren, insisted
that Washington observe strict laissez faire.

The American experience between 1815 and 1848 did much to shape the
country we live in. Social reform, religious zeal, large-scale
immigration, wild swings of the business cycle, wars brought on by
executive power in the face of severe moral criticism—these and other
issues bear a surprising resemblance to some we face today. They can
well bear reexamination by historians and citizens who seek to
understand the past and its effect on the present. Such a reexamination
may reorient the conventional definition of a "Jacksonian" period and
provide a new perspective on the politics of that time. Who knows,
today's liberals might find many of their sympathies engaged not by
Jackson's Democrats but by the Whig party of John Quincy Adams, Henry
Clay, and the young Abraham Lincoln.



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