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Re: [Marxism] In Defense of Nadya Suleman (or, Hetero Breeding Running Amok)
- To: archive@xxxxxxxxxxxxxxxxxxxxxx
- Subject: Re: [Marxism] In Defense of Nadya Suleman (or, Hetero Breeding Running Amok)
- From: Louis Proyect <lnp3@xxxxxxxxx>
- Date: Fri, 20 Feb 2009 16:05:40 -0500
- User-agent: Thunderbird 2.0.0.19 (Windows/20081209)
> Many commentators, including one person
> here, has made much out of her being
> the recipient of public aid, as if that
> should give public authorities the right
> to interfere with her reproductive decisions.
> A few moments of reflection should lead one
> to see the dangers of following that path,
> since that would give the state the power
> to interfere with the most personal and
> intimate decisions that people make
> concerning their lives.
>
> Jim F.
I don't agree with David's characterization on "breeding" but he does
have a point about how far we have come from the woman's liberation
movement ideals of the 1970s. Back then women were looking for ways to
adopt roles other than as mothers. Somewhere along the line that has
become less important. A lot of this has to do with what they call
"post-feminism". Here's an interesting piece from the atrocious Phyllis
Chesler, the rabid Zionist and reactionary who was an important feminist
thinker in the 1970s (and a Bard college grad a couple of years before me.)
http://www.salon.com/mwt/feature/2008/06/10/walkers/
The mother-daughter wars
Rebecca Walker's denunciation of feminism and her mother Alice Walker
has a lot to teach us about the choices women make and the daughters who
judge them.
By Phyllis Chesler
Jun. 10, 2008 | Recently, London's Daily Mail ran an article based on an
interview with writer Rebecca Walker, daughter of greatly beloved "Color
Purple" author Alice Walker, about her relationship with her mother that
saddened me enormously.
In effect, Rebecca accuses her mother of being a cold, selfish,
child-hating feminist, who wanted nothing to do with Rebecca (or,
really, with motherhood) while Rebecca was growing up, even less to do
with her when Rebecca became pregnant, and then, nothing to do with
Rebecca's son, who is Alice's only grandchild. According to Rebecca, her
mother even cut her out of her will. Rebecca guesses that her "crime"
was "daring to question her [mother's feminist] ideology."
Rebecca (who is, herself, one of the most prominent faces of third-wave
feminism) describes a neglectful, overly permissive and mainly absent
mother, and she describes a joint custody arrangement in which she spent
two years with each parent -- in Rebecca's view, a "bizarre way of doing
things." I agree. According to Rebecca, when she first called her mother
to tell her that she was pregnant and that "she'd never been happier,
[Alice] went very quiet. All she could say was that she was shocked.
Then she asked me if I could check on her garden. I put the phone down
and sobbed -- she had deliberately withheld her approval with the
intention of hurting me."
Ah, Rebecca. My mother, a traditional stay-at-home mother, also withheld
her approval when I told her I was pregnant. Hallmark greeting cards
aside, this is not an uncommon dynamic between mothers and daughters,
and it can get a lot worse: For example, mothers can savagely criticize
their daughters' child-care practices, sue for custody of their
grandchildren or testify against their daughters in court on behalf of
ex-sons-in-law. They can also refuse to relate to their daughter and
their grandchild.
Still, Rebecca's interview is too sad to bear, and although I, too, have
written about my troubled relationship with my mother, I did not have
the heart to do so in a major way while she was alive. I waited until
after her death to do so -- and still I feared that I was both
committing a sin and tempting fate. Exposing your mother's nakedness in
public, breaking publicly with the only woman who ever gave birth to
you, is a tabooed, ungrateful, desperate, perhaps dangerous and always
complicated act.
The mythic Electra did so, and she is our model for matricide, at least
psychologically. And fairy tales that feature cruel and evil stepmothers
are, in reality, only history lessons in fanciful disguise. Many
biological mothers died in childbirth, and their children were raised by
strangers. Obviously, the experience was not always delightful. But
also, in fairy tales, as in life, the very same mother, whether
biological or adoptive, plays the role of both Fairy Godmother and Evil
Stepmother.
In this interview, not only does Rebecca denounce her mother, she
indicts the entire second-wave feminist movement for having betrayed
women by minimizing or rejecting the importance of motherhood in women's
lives.
Well, she definitely has a point, and it is one that I have made many
times. Still, given her age, Rebecca could never have experienced how
odiously motherhood was once forced upon women and how all other options
were closed and what courage it took to reject the commandment to marry
and mother.
While most second-wave feminist leaders and thinkers emphasized abortion
rather than motherhood, job equity rather than child support, sexual
violence rather than the importance of family building, there were many
second-wave feminist leaders (I am one) who consistently valued and
wrote extensively about motherhood. For example, it was my subject in
three books ("Child: A Diary of Motherhood," "Mothers on Trial: The
Battle for Children and Custody" and "Sacred Bond: The Legacy of Baby
M"). And I was not alone. Second wavers who also wrestled with and
embraced the themes of pregnancy, childbirth, motherhood and nonsexist
child rearing include Judy Chicago, Nancy Chodorow, Betty Friedan,
Joanne Haggerty, Jane Lazarre, Letty Cottin Pogrebin, Adrienne Rich,
Sarah Ruddick, Alice Kates Shulman, Merlin Stone -- and Alice Walker
("In Search of Our Mothers' Gardens"). And this is not a comprehensive list.
Still, many of the most glamorized, iconic and sexually and
intellectually radical of second-wave feminist leaders did not become
mothers or had become mothers long before they became feminist leaders.
Many had also suffered the drudgery, the poverty, the utter absence of
support or recognition that often accompanies mothering, and finally,
paradoxically, they had also suffered the "empty nest syndrome." Most
second-wave feminists therefore either condemned or feared motherhood.
I know Alice, who is a world-class talent, and I have met Rebecca, a
beautiful and talented woman in her own right. Assuming every line in
Rebecca's interview is true -- and it may not be entirely objective -- I
must remind anyone who's shocked by the interview, or saddened by it as
I am, that a rift between a talented and successful mother and her
talented and (differently) successful daughter is routine, not unusual.
I've written in the past about the mother-daughter relationship -- about
mothers who envy, compete with and seek to psychologically punish, even
destroy, their daughters and about daughters who reject and abandon
their mothers and who rebel by preferring their fathers and boldly
choosing whatever path their mother has not taken. A career mother's
daughter might have five children and glory in stay-at-home motherhood;
a stay-at-home mother's daughter might choose the cold, corporate
career, etc. None of this is surprising. It exemplifies historical
pendulum swings and the ways in which daughters attempt to differentiate
themselves from mothers whose shadows loom large.
I've also written about how many well-known (white) women writers were
routinely mistreated as children by "good enough" mothers, and how their
mothers mocked and minimized their talents and adult success (Florence
Nightingale, Olive Schreiner, Charlotte Perkins Gilman, Edith Wharton,
Agnes Smedley -- I could go on).
Let me give just one example here. It is apt, since it describes the
relationship between a trailblazing feminist and abolitionist mother and
a daughter who not only became quite traditional but also broke with her
mother (something Rebecca has not done -- something, in fact, Rebecca
alleges Alice has done). However, like Rebecca, the daughter in this
18th-century case publicly attacked her mother's views. Please be
patient with all the details. They are important.
Frances (Fanny) Wright was born in Scotland in 1794 to wealthy parents.
In 1825, Fanny established a commune in Tennessee to educate emancipated
slaves. In 1828, she became the first nonpreacher woman to lecture in
public in the United States. In 1830, Fanny quietly left America. Early
in 1831, in Paris, she gave birth to her (and William S. Phiquepal
D'Arusmont's) daughter, Sylva.
Fanny was the friend and confidante of the Marquis de Lafayette, Jeremy
Bentham, Robert Owen -- and yet she married Phiquepal, who was 16 years
her senior, in order to protect her child from "stigma." By 1836, Fanny
Wright and William S. Phiquepal were seriously "estranged"; by 1838,
Phiquepal took Sylva to Cincinnati, leaving Fanny alone and very ill in
New York. Phiquepal then began his legal appropriation of Fanny's fortune.
In 1848, Fanny capitulated and granted Phiquepal her inheritance and
property. He promptly announced that he and Sylva were "independent of
her, and [can] do without her." He put Fanny on a small "allowance." In
1850, Fanny filed for divorce in an attempt to recover some part of her
estate. She claimed that Phiquepal had married her for her money and had
"alienated their daughter's affections." Phiquepal retaliated with an
open letter to the newspapers.
He wrote: "Your life was essentially an external life. You loved virtue
deeply, but you loved grandeur and glory [even more]. Your husband and
child ranked only as mere appendages to your personal existence. [I]
imposed on [myself] the sacrifice of attending your lectures but could
not impose it on [my] child. Sylva's education has been the main object
of [my] life, while [you] have often interrupted that education by the
life [you] led traveling from one land to another."
In 1851, Fanny was granted a divorce as an "abandoned" wife. Part of her
fortune was restored to her. However, she lost Sylva forever.
Sylva never visited her mother in Fanny's last illness. And Sylva became
an ardent Christian. In 1874, she testified before a congressional
committee against female suffrage. "As the daughter of Frances Wright,
whom the Female Suffragists are pleased to consider as having opened the
door to their pretensions," Sylva begged the speaker and the members of
the House committee "to shut it forever, from the strongest convictions
that they can only bring misery and degradation upon the whole sex, and
thereby wreck human happiness in America!"
Rebecca conflates feminist views of motherhood (as she perceives them to
be) with her own personal experience of Alice's choice or inability to
mother in a traditional way. In her interview, Rebecca admits that she
prefers her white, Jewish father's second wife, Judy, who bore five
children and found meaning as a stay-at-home or ever-available mother.
Here is how Rebecca sounds about Judy: "I actually yearned for a
traditional mother. My father's second wife, Judy, was a loving,
maternal homemaker with five children she doted on. There was always
food in the fridge and she did all the things my mother didn't."
Yes, and Alice did all the things that women like Judy don't want to do
and can't do: Write great poems and novels, devote oneself to world
work, crusade for human and women's rights. Rebecca: Trust me, a woman
really cannot do both. The myth that we can is a dangerous one.
I can only imagine the pain of being an artist in thrall to her muse and
an activist in service to the world's pain rejected for the more
traditional mother/stepmother. Choosing the white over the black family
-- come on, this has gotta hurt. It doesn't matter that this is a choice
that Alice herself made long ago when she married Rebecca's white father.
The children of greatly talented public figures, as Alice surely is, are
often sacrificed to the Great Work. The children can barely breathe in
the shadow of -- usually it's the Great Man; in this case, it's the
Great Woman. However, great men are allowed every excess and failure;
great women are never forgiven for making a single mistake. Great men
are allowed their female mistresses, male lovers, wife-secretaries,
binges -- and they rarely see their children. Or they exploit and abuse
them.
One is commanded to honor one's mother and father. But what if one's
parents have been abusive, abandoning, treacherous? If so, it might be
important to say so even if it means tearing this ancient religious
guideline asunder.
Clearly, Rebecca wants to "talk" to her mother. She has just done so
here: publicly, painfully and in a way that is bound to hurt. I wish
that I could gentle these two women into repairing their breach. It is
one that they will regret forever.
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