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[Marxism] With apologies to Paul Verhoeven



Earlier this year I attended a press screening for Paul Verhoeven’s
“Black Book,” a film about the Dutch resistance during WWII. The main
character is a beautiful young Dutch-Jewish singer named Rachel Stein
(Carice van Houten) who decides to fight the Nazis after they kill her
parents. She hates the Nazis so much that she is willing to risk her
life by becoming a spy and infiltrating their headquarters. But she
almost decides to refuse the assignment after learning that it involves
seducing the German commandant so as to learn crucial information about
the enemy’s plans. Nothing would be more difficult than pretending to
love somebody as evil as a Nazi officer.

It turns out that the officer is not the typical goon out of central
casting. SS-hauptsturmführer Ludwig Müntze (Sebastian Koch) does
everything he can in his power to make life bearable to people living
under occupation. Furthermore, he repeatedly intercedes on behalf of
captured resistance fighters to make sure that they are not tortured or
executed. After Rachel Stein, who has adopted the Dutch name of Ellis de
Vries, gets a job as a singer inside Nazi headquarters, she wastes no
time getting Müntze into bed and extracting information out of him. In
the process, they fall in love with each other. It is harder for her to
give into her feelings after what she has gone through, but decides that
Müntze is different.

Eventually the Nazis learn that she is a spy and prepare to execute her.
If Müntze was only lukewarm about Nazism to begin with, whatever
residual loyalty he had to the regime goes down the tubes when he learns
that the woman he loves is about to be murdered. He decides to desert
from the German army and blend in with the civilian population alongside
Rachel Klein, who has also put the resistance behind her. He calculates
that his risks are minimal since the allies have begun to take control
of the Netherlands and the Nazi army is on its last legs.

At this point in the film, something takes place that seemed so
far-fetched that I decided not to review the film. As many people must
be aware, with films such as “Total Recall” and “Robocop” to his credit,
Verhoeven does have a knack for going over the top. I don’t mind
verisimilitude going out the window when it comes to science fiction,
but WWII deserved better.

Verhoeven portrays the Nazi army as remaining in uniform and in arms
under allied occupation, something that seemed far-fetched to me to
begin with. But I slapped my head and say “Unbelievable” under my breath
after what happened next. Müntze is recognized by a Nazi officer and
arrested. After a Nazi court martial finds him guilty of desertion, he
is shot by a firing squad. While I was aware of ex-Nazi officers being
used against the USSR after the war ended, I had never heard about such
an unlikely scenario. After nearly 5 years of brutal fighting, why would
the allies allow the Nazis to retain such power?

It turns out that Verhoeven was right. This did happen.

full:
http://louisproyect.wordpress.com/2007/09/27/with-apologies-to-paul-verhoeven/

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