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[Marxism] Fw: William Morris and Socialism




----- Original Message -----
From: Graham M.
To: Socialist Alliance
Sent: Saturday, April 21, 2007 3:02 AM
Subject: William Morris and Socialism


Dear Comrades,
William Morris (1834-96) is one of the grandest figures
in the history of the world socialist movement. Already famous as a great
poet, artist and designer, Morris at mid-life threw himself into the work of
the revived socialist movement in England in the 1880s, committing himself
wholeheartedly to the struggle for social liberation.

After Morris's death there were attempts to neutralise the revolutionary
thrust of his ideas, and to render him harmless to the established order. The
'bourgeois' myth of an apolitical Morris, and the 'Menshevik' of Morris the
sentimental, 'ethical' Labourist, were the two faces of this project. But
three post-war works on Morris: E.P. Thompson's 'William Morris: Romantic to
Revolutionary'; R. Page Arnot's 'William Morris: the Man and the Myth', and
Paul Meier's 'William Morris: the Marxist Dreamer' together scotched these
myths and reestablished Morris's position firmly in the revolutionary Marxist
tradition.

Born into an upper-middle class family, Morris was sent to a public school
and studied at Oxford University. His rebellion against the grimy, industrial
capitalism of mid-Victorian Britain was informed by romantic literature and by
the medievally-oriented social criticism of the thinkers Thomas Carlyle and
John Ruskin. Morris's poetry and prose works made him famous, and his 'Firm'
produced fine materials, fabrics and furniture, in opposition to the shoddy
trends and tastes of the times.

Morris's involvement in politics began with his participation in the
agitation against Turkish atrocities in the Balkans in 1876-78, and the British
government's complicity with these. Morris soon saw through the bourgeois
radicals in control of the campaign, and when Gladstone returned to government
in 1880 and attacked Egypt, he began to look for a socialist organisation to
join.

Morris joined H.M. Hyndman's Democratic (later Social Democratic) Federation
in 1883. Hyndman was ostensibly a Marxist, but his leadership style was
highly arbitrary and a split in the organisation occurred in 1884-5. The
Socialist League was then formed with Morris as its central leader.

Morris had thrown himself into all aspects of party work in the SDF and then
in the Socialist League, including street-selling of the party press and
engaging in an arduous round of public speaking and lecturing, indoors and
outdoors. The Socialist League's politics were coloured by a conflict between
a parliamentarist right-wing and an anarchist left. Finally the anarchists
succeeded in driving out their opponents, and Morris in 1890 formed a separate
group around his SL branch in Hammersmith, London.

'Commonweal', the paper of the Socialist League set a very high standard in
socialist journalism while it was under Morris's editorial control. The
education of many individual members in socialist ideas was probably the finest
achievement of the SDF and the SL; many who went through these groups would
have taken their socialist ideas into the broader community.

As well as his good record as a socialist party activist, William Morris
left a largish corpus of political writings and writings on art and society.
His Marxism speaks to us today especially, as its emphases are very
contemporary, especially in its concern with the theme of alienation and
alienated labour.

In my view the central preoccupation of Morris, and a theme that runs like a
red thread through all his writings and lectures, is the problem of the
degradation of work (or labour activity) under the capitalist mode of
production, and the urgent requirement for a socialist transformation of
society to remedy this. Ultimately Morris's aim was the birth of a communist
world, where the division of labour has been superseded and replaced with
authentic human relations based on free interchange. Closely related to this
vision of the future was his belief that art, in the broadest understanding of
the concept, should be reintegrated with life activity in general and labour
activity in particular.

These themes are absolutely central to the Marxist tradition. The concept
of 'alienated labour' is crucial for an understanding of Marxism. Morris,
writing and thinking to a certain extent in a different tradition from the one
that formed the matrix of Marx's intellectual development, reached conclusions
essentially similar to those of the early Marx and the Marx of the chapters on
commodity fetishism and the division of labour in 'Capital'. Morris
undoubtedly made major contributions to the Marxist theory of alienation,
particularly in its aesthetic dimension. The concepts he developed were
enriched by a profound grasp of history, which is clear from a reading of such
works as the lecture 'Art and Labour' (1884) and the book he coauthored with
Belfort Bax: 'Socialism: its Growth and Outcome' (1893)

Morris's vision is best seen in the utopian romance 'News from Nowhere'
(1891). Paul Meier, the French scholar, attempted to establish the firm links
between Morris's outlook in this romance, and the perspective of the communist
future developed by Marx in 'The Critique of the Gotha Programme'. Apart from
its vision of a future communist society, which depicts the Thames Valley two
hundred years hence, when the restraints of the division of labour have largely
been overcome and where a totally new attitude to work and leisure prevails,
the most striking feature of 'News from Nowhere' is the book's historical
realism - the detailed description in it of the process of transformation from
the old society. A class struggle view is sharply in evidence here.

The legacy of William Morris is to be found in his literary and other
artistic work certainly, but his record as a socialist activist and publicist
will surely also recommend Morris to those who continue today to fight for a
socialist future for humanity.


In solidarity,


Graham Milner
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