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[Marxism] Pinter furious, howling, and bristling says NYTimes; I saw tears
when I watched the BBC video, which shows only a segment. He spoke of a
front page photo of Tony Blair kissing a 4-year-old Iraqi boy and
claiming that democracy was being brought to Iraq. Then Pinter spoke of
a later inside story of a 4-year-old boy who had lost both arms when
his home was destroyed killing all the members of immediate family. The
boy asked when would he get his arms back, as though they had been
taken away temporarily.
Perhaps Pinter's howling is in some other portion of the tape.
Pinter speaks of the successful lying of the U.S. government. He could
also have spoken of the fact that this video will be seen throughout
the rest of the world, but only a few of us will see it here--perhaps
on Democracy Now.
Here is the furious howling of Sarah Lyall [all lies] of the NYTimes on
the speech of the Nobel Prize Winner for literature.
Playwright Takes a Prize and a Jab at U.S.
By SARAH LYALL
LONDON, Dec. 7 - The playwright Harold Pinter turned his Nobel Prize
acceptance speech on Wednesday into a furious howl of outrage against
American foreign policy, saying that the United States had not only
lied to justify waging war against Iraq but had also "supported and in
many cases engendered every right-wing military dictatorship" in the
last 50 years.
"The crimes of the United States have been systematic, constant,
vicious, remorseless, but very few people have actually talked about
them," Mr. Pinter said. "You have to hand it to America. It has
exercised a quite clinical manipulation of power worldwide while
masquerading as a force for universal good. It's a brilliant, even
witty, highly successful act of hypnosis."
Sitting in a wheelchair, his lap covered by a blanket, his voice hoarse
but unwavering, Mr. Pinter, 75, delivered his speech via a video
recording that was played on Wednesday at the Swedish Academy in
Stockholm. Doctors told him several years ago that he had cancer of the
esophagus and recently ordered him not to travel to Stockholm for the
speech, his publisher said.
. . .
Dressed in black, bristling with controlled fury, Mr. Pinter began by
explaining the almost unconscious process he uses to write his plays.
They start with an image, a word, a phrase, he said; the characters
soon become "people with will and an individual sensibility of their
own, made out of component parts you are unable to change, manipulate
or distort."
"So language in art remains a highly ambiguous transaction," he
continued, "a quicksand, a trampoline, a frozen pool which might give
way under you, the author, at any time."
But while drama represents "the search for truth," Mr. Pinter said,
politics works against truth, surrounding citizens with "a vast
tapestry of lies" spun by politicians eager to cling to power.
Mr. Pinter attacked American foreign policy since World War II, saying
that while the crimes of the Soviet Union had been well documented,
those of the United States had not. "I put to you that the United
States is without doubt the greatest show on the road," he said.
"Brutal, indifferent, scornful and ruthless it may be, but it is also
very clever. As a salesman it is out on its own and its most saleable
commodity is self-love."
He returned to the theme of language as an obscurer of reality, saying
that American leaders use it to anesthetize the public. "It's a
scintillating stratagem," Mr. Pinter said. "Language is actually
employed to keep thought at bay. The words 'the American people'
provide a truly voluptuous cushion of reassurance. You don't need to
think. Just lie back on the cushion. The cushion may be suffocating
your intelligence and your critical faculties but it's very
comfortable."
Accusing the United States of torturing terrorist suspects in
Guantánamo Bay and Abu Ghraib, Mr. Pinter called the invasion of Iraq -
for which he said Britain was also responsible - "a bandit act, an act
of blatant state terrorism, demonstrating absolute contempt for the
concept of international law." He called for Prime Minister Tony Blair
to be tried before an international criminal court.
Mr. Pinter said it was the duty of the writer to hold an image up to
scrutiny, and the duty of citizens "to define the real truth of our
lives and our societies."
"If such a determination is not embodied in our political vision, we
have no hope of restoring what is so nearly lost to us - the dignity of
man," he said.
http://shorterlink.co.uk/4595
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