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[Marxism] Zen imperialism
http://www.h-net.org/reviews/showrev.cgi?path=271571127997743
Brian Daizen Victoria. Zen War Stories. London: Routledge Curzon, 2003.
xviii + 268 pp. Index. $124.95 (cloth), ISBN 0-7007-1580-0; $34.95 (paper),
ISBN 0-7007-1581-9.
Reviewed by: Steven Heine, Florida International University.
Published by: H-Buddhism (August, 2005)
Brian Victoria?s work, following on the heels of the highly acclaimed but
also highly provocative Zen at War (Weatherhill, 1997), continues his
withering attack on the embracing of wartime ideology by leading Zen
masters and practitioners in Japan. Victoria seeks to show that the
attitude characteristic of numerous examples of prominent Zen monks and
scholars was not a matter of only benignly resisting, or even of passively
accepting, the rhetoric of Imperial Way Buddhism by clergy who were
pressured and powerless to stand up to the authorities. Nor was it an
example of innocently recognizing historical and ideological affinities
between Zen monastic discipline and military training.
On the contrary, the Zen masters discussed here eagerly and
enthusiastically endorsed some of the most excessive and reprehensible
aspects of imperial ideology in the name of a corrupted vision of spiritual
realization as a tool to spread the doctrine of the Greater East Asia
Co-prosperity Sphere. They also used Zen wedded to hypernationalism and
imperialism as a tool to misread the historical records of their own
tradition and to help transport Japanese supremacy to China and Korea,
while refusing to acknowledge or repent for their actions with the defeat
of Japan. This outlook also infected numerous politicians and military
figures who turned to Buddhism as a way of explaining away or masking their
roles leading up to, as well as during and after World War II.
In part 1 of Zen War Stories Victoria documents several masters who have
become icons in the West for their apparent adherence to Zen tradition
linked with an ability to address contemporary culture. After showing in
chapter 4 that Omori Sogen, praised for his prowess in swordsmanship and
other arts, had a fascistic, "Mr. Hyde" side as manifested in the founding
in 1932 of the Kinno Ishin Domei (League for Loyalty to the Emperor and the
Restoration), Victoria turns to the case of Yasutani Haku?un. In chapter 5,
"Zen Master Dogen Goes to War," we find that Yasutani, known as the teacher
of Philip Kapleau and inspiration for The Three Pillars of Zen, wanted to
smash all universities for being traitors. He was a fanatical militarist
who "transformed the life and thought of Zen Master Dogen (1200-1253), the
thirteenth-century founder of the Soto Zen sect in Japan, into a propaganda
tool for Japanese militarism" (p. 68).
In particular, Yasutani tried to argue that Dogen?s famed pilgrimage to
Song China in 1223 was triggered not by a longing for Buddhist Dharma but
by disgust with the new Shogunate and infatuation with preserving the
Imperial House. According to Victoria, Yasutani?s corrupted spirituality
did not end with a support for militarism. He was also even more "ethnic
chauvinist, sexist, and anti-Semitic" (p. 68) than his teacher Harada Daiun
Sogaku, whose "most memorable wartime quote is: ?[If ordered to] march:
tramp, tramp, or shoot: bang, bang. This is the manifestation of the
highest Wisdom [of enlightenment]" (pp. 66-67).
After discussing in the seventh chapter, "Zen ?Selflessness? in Japanese
Militarism," how Zen?s historical relation to the samurai was
misinterpreted to support imperial ideology about the acceptance of death
by D. T. Suzuki and other prominent representatives of Zen, including
former Eiheiji temple abbot Kumazawa Taizen, part 2 takes up examples of
the involvement with Buddhist thought by military and political leaders.
While this section is less devastating as a critique of Zen than of
Japanese Buddhism and society in general, Victoria explains in chapter 10,
"Buddhism--The Last Refuge of War Criminals," how easily the moral basis of
religion can be distorted and subverted. For example, as recollected by
Buddhist studies scholar Hanayama Shinsho, seven Class A war criminals who
were condemned to death continued to cling to Buddhism while on death row
to find a hypocritical feeling of solace. For instance, Hirota Koki never
abandoned his sense of Zen and the warrior class and used Zen to stiffen
his resolve to "die naturally ? returning to nothingness" (p. 179), while
General Tojo Hideki kept ties with Pure Land, and for Itagaki Seishiro the
Nichiren school provided comfort.
Anyone reading the book interested or intrigued by Japanese religion and
culture as a model for behavior that is impartial and free from attachment
will likely be disturbed by the words and deeds cited in Zen War Stories,
portrayed not as exceptions to the rule or unusual cases, but the
widespread ethos of at least a generation of monks. Unlike Zen at War,
which discussed the case of Soto Zen priest Uchiyama Gudo and other
politically radical Buddhist priests--Uchiyama was for Victoria a martyr
convicted and executed as part of the High Treason Incident (Taigyaku
Jiken) of 1910 (pp. 30-48)--Zen War Stories is an unrelenting ride through
a "tunnel of hate," lacking any counter-example. Save for very brief
mentions of figures like Hanayama, Rinzai Zen priest Ichikawa Hakugen, or
intellectual Maruyama Masao, Victoria does not present a more positive side
of Buddhism or Japanese thought that has or could be used for generating
criticism of the state or as a means of self-criticism. Nor does he mention
leading Buddhist thinkers like Ienaga Saburo or Tanabe Hajime, who, from
nearly opposite political angles, infused postwar works with a critical
approach toward those, including himself in the case of Tanabe, who
supported imperialism.
I am not suggesting, however, that Victoria?s book is one-sided,
deliberately or not, because I think the work fulfills his goal of creating
"a ?sourcebook? of wartime pronouncements by Zen and other institutional
Buddhist leaders, both lay and clerical" (p. xv) by letting the words of
these figures speak for themselves. In doing so, he has punctured not a few
holes in many trial balloons that have been launched facilely in support of
Zen as a socially aware form of mysticism by those who remain closed to
learning of the notorious circumstances surrounding the war. In that sense,
Victoria has made a profound contribution to overall Zen scholarship.
My critical comment is that with the two books, Victoria has not taken the
opportunity to attempt to point beyond the reprehensible shortcomings and
glaring warts toward a compromise view of Zen and its complex connections
with society, in a way that works constructively with the strengths as well
as the weakness of the tradition. I assume that Victoria on some level
cares very deeply about Zen and its place in Japan and the world, so the
challenge would be to help define Zen?s role creatively lest the tradition
become buried under the avalanche of criticism or, contrariwise, the
research behind these books gets relegated to the realm of sensationalism.
Copyright © 2005 by H-Net, all rights reserved. H-Net permits the
redistribution and reprinting of this work for nonprofit, educational
purposes, with full and accurate attribution to the author, web location,
date of publication, originating list, and H-Net: Humanities & Social
Sciences Online. For other uses contact the Reviews editorial staff:
hbooks@xxxxxxxxxxxxxxxxxxx
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