[Marxism] Whale Rider

[Louis Proyect <lnp3@xxxxxxxxx>]

Considering all the hype surrounding "Lord of the Rings", one might have
missed another New Zealand export that is now available in DVD/Video and
whose 13 year old star was nominated as Best Actress in 2004. I am
speaking of "Whale Rider", a Maori coming of age story with a twist--in
this case the protagonist is a teenage girl rather than a boy.

Although Keisha Castle-Hughes is an Australian Aboriginal, she clearly
has an exceptional ability to make her character Pai come to life. When
Pai is born, her twin brother and mother die at the same time. Her
grief-stricken father Porourangi (Cliff Curtis) leaves New Zealand to
pursue a career as an artist, leaving her in the care of her grandfather
Koro (Rawiri Paratene), a chief of the Ngati Kanoahi people.

He is entrusted with teaching Maori traditions that go back for
millennia the 12 year old boys in the village. This consists of lessons
in how to chant, dance, wield a club and make fearsome warrior faces.
Like any other 12 year olds, their attention span is limited. In many
ways, their training reminded me of what it was like to go to Hebrew
School in preparation for my Bar Mitzvah.

As it turns out, Pai is much more avid to learn Maori skills than any of
the boys. In some ways, she is overly zealous. When she encounters Maori
women smoking during a card game, she warns them that smoking will
weaken their Maori child-bearing properties. Like Lisa Simpson, her
conscientiousness goes against the grain of a village as laid-back as
Homer and Bart.

Although she and her grandfather seem to be on the same wave-length
temperamentally, he is dead-set opposed to her learning Maori skills.
Over and over he reprimands her for eavesdropping on training sessions
for the village boys in hopes of achieving a station that her gender
does not permit. Despite obvious differences with western industrial
societies, it is reminiscent of the kind of sexism a young girl who
aspires to be a football player might encounter.

Fortunately, Pai has her grandmother Nanny's (Vicky Haughton) support,
who views her husband as hopelessly backward. She refers to him
contemptuously as "old Paka" and intercedes on Pai's behalf throughout
this marvelous story.

The title of the film is derived from the climactic scene in which the
villagers struggle in vain to get a group of beached whales to return to
the ocean. Since the animals are their totem, this is a matter of
life-and-death. Suffice it to say that Pai becomes chief of her people
through her heroic intervention.

This Sunday's NY Times Magazine had an article on "dying languages" that
takes a light-hearted attitude toward the efforts of such people to
preserve their cultural identity. From a paper on the Northern Arizona
University website titled "Four Successful Indigenous Language
Programs", we discover:

"The Maori people of New Zealand comprise 15 percent of the New Zealand
population of approximately four million people. At first contact with
Europeans, 75 percent of the native population died of disease. The
history of the Maori reads like the history of the Native American
tribes; land taken without treaties, slaughter, and subhuman treatment
(Holmes, 1992). The Maori have a common language regardless of where in
New Zealand they reside. The tribes trace their ancestry to Polynesian
migrants about 800 AD or earlier and followed by other waves of
migration, the last major influx at about 1300 AD. Tribes based on
family ancestry were further divided into subgroups that lived in
villages. They hunted, gathered, and practiced subsistence agriculture.
The public meeting house was the center of village life."

http://jan.ucc.nau.edu/~jar/TIL_21.html

"Whale Rider" is a very convincing account of the Maori people to resist
assimilation. The public meeting house of Pai's village is where most of
the dramatic scenes take place. This is a film for anybody with a young
daughter who might be encountering confining sexual roles in school or
in the neighborhood. It is also for anybody who wants to see fine
performances in an uplifting film. Strongly recommended.

--

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