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William Vollmann
- To: marxism@xxxxxxxxxxxxxxx
- Subject: William Vollmann
- From: Louis Proyect <lnp3@xxxxxxxxx>
- Date: Wed, 01 Oct 2003 10:35:37 -0400
- User-agent: Mozilla/5.0 (Windows; U; Windows NT 5.0; en-US; rv:1.0.1) Gecko/20020823 Netscape/7.0
NY Times, September 27, 2003
Novelist's New Math: A Calculus of Violence
By EMILY EAKIN
SACRAMENTO, Calif. — The novelist William T. Vollmann lowered his
pistol, removed his hearing protectors and hobbled across the dusty
shooting yard to assess the damage.
What he saw pleased him. Despite his handicaps — a broken pelvis and a
brain addled by massive doses of Percoset and Vicodin — his aim had been
true.
"I got one bull's eye," he exclaimed in delight, bending down in the
dirt amid the litter of spent brass shells to inspect a paper target
tacked to a piece of bullet-pocked plywood.
He smiled encouragingly at the reporter hovering by his side. "Why don't
you load up the 9, and you can plink away?"
In Mr. Vollmann's view, an opportunity to legally discharge a firearm is
not something to pass up. Even crutches, painkillers and broken bones —
a result of being hit by a car while riding his bike near his home here
in July — are no reason to abstain.
"Shooting really is the quintessentially American experience," he
explained. "I'm really sorry for people in other countries who can't do
this."
Such remarks would seem in keeping with his public image as America's
leading literary renegade. After all, over the last decade and a half,
Mr. Vollmann, 44, has pumped out thousands of pages of dark, difficult,
scatological prose rife with all manner of violence and degradation.
Thanks to books like "Whores for Gloria," "The Rainbow Stories" and
nearly a dozen other titles, he has earned a cult following and
comparisons to both Thomas Pynchon and Céline.
His fascination with prostitutes, pimps, drug addicts and skinheads is
legendary. As are his research methods. His quest for authenticity has
led him to prowl war zones and bad neighborhoods, to sleep with
streetwalkers, to smoke crack with junkies and to endure grueling
physical ordeals.
For "The Rifles" (1994), one of a series of novelistic treatments of
episodes from American history, he tried to relive the dark final days
of the 19th-century explorer Sir John Franklin, who died in the Arctic
Circle while searching for the Northwest Passage. Mr. Vollmann spent two
weeks alone at an abandoned Canadian weather station at the magnetic
North Pole, suffering from hypothermia, frostbite and hallucinations
from the lack of sleep.
But his enthusiasm for guns, it turns out, owes more to moral conviction
than literary curiosity. It is a direct result, Mr. Vollmann says, of
the research he undertook for his latest work: "Rising Up and Rising
Down," a 3,000-page meditation on the ethics of violence.
The book, which will be published in seven volumes by McSweeney's in
October (and in abridged form by Ecco next year), took him 23 years to
write. A dense, meandering, amalgam of historical analysis, contemporary
case studies, anecdotes, essays, theory, charts, graphs, photographs and
drawings, it is Mr. Vollmann's attempt to bring definitive resolution to
a conundrum that has preoccupied generations of thinkers: under what
conditions can violence be justified?
(clip)
In a chapter called "Defense of Race and Culture," Mr. Vollmann takes on
John Brown, the violent abolitionist hanged for raiding the federal
arsenal at Harpers Ferry in 1859. Regarded by many as a saintly
crusader, Brown, Mr. Vollmann argues, was also a murderer, who had his
men drag five unarmed, pro-slavery men from their homes near
Pottawatomie Creek in Kansas and kill them. "How much does it matter
that John Brown inspires loyalty and love, and that his cause is just?"
Mr. Vollmann writes. He also "did bad things to bad men. . . . He dared
to presume, as Martin Luther King came dangerously near doing, that the
ends justify the means. For Pottawatomie alone I think he deserved to
hang."
From each of these case studies, Mr. Vollmann tries to derive an
objective moral lesson. From the example of John Brown he concludes that
"violent defense of race and culture is justified" in five
circumstances, including "when it is simple imminent physical defense of
self or others in response to an attack passed primarily or solely on
affiliation."
full: http://www.nytimes.com/2003/09/27/books/27VOLL.html
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