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Re: What NACLA used to read like



<<<>>>
This morning I went down to the NY Public Library to make a copy of a pamphlet
from 1975 that is not available in the Columbia Library--something of an
anomaly. Titled "Argentina in the Hour of the Furnaces", and written by a group
of radical scholars under thhe NACLA imprint (North American Congress on Latin
America), it contains figures on multinational penetration of Argentine
capital.
Louis Proyect
<<<>>>

re. title of above article...

Argentinian "guerrilla" filmmakers Fernando Solanas and Octavio Getino coined
the term "Third Cinema" to give identity to their clandestine 1968 documentary
La Hora de los Hornos (Hour of the Furnaces), the production of which indicated
cracks in the "system" as well as resistance to it. The two were part of a
collective (Grupo Cine Liberación) committed to militant politics and
experimental film. Hour of the Furnaces' more than four hours running time was
divided into three segments - a radical history of Argentina, an assessment of
Juan Perón and Peronism, and consideration of the role and meaning of violence
in political struggle. Each section of the movie was shown independently of
the others in non-theater settings conducive to the collective's desire to
periodically stop the projector and facilitate audience discussion.

michael hoover


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