[AUT] Fwd: Giap/digest#28 - Working Slowly in NYC and Other Despicable Habits - 30 May 2005

[Nate Holdren <nateholdren@xxxxxxxxx>]

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From: Wu Ming <wu_ming@xxxxxxxxxxxxxxxxxxxx>
Date: May 29, 2005 3:04 PM
Subject: Giap/digest#28 - Working Slowly in NYC and Other Despicable
Habits - 30 May 2005
To: 


[Giap]
Giap/digest #28 - Working Slowly in New York City and Other Despicable
Habits - 30 May 2005

1. Radio Alice / Working Slowly in NYC
2. Working Slowly is a Film for Everyone - by Guido Chiesa (director and
screenwriter)
3. The Seventies? What Seventies? - by Wu Ming (screenwriters)
4. You're Lazy - by Wu Ming
5. The Calcutta Telegraph on Q
6. 1995-2005: What Happened to Luther Blissett? A Commemorative DVD.


1-------------------

The "Open Roads : New Italian Cinema" festival will take place in New York
starting June 1st through June 9th, 2005. Ten films from this past season,
as well as a focus on documentaries make up the program of this fifth
edition, organized by AIP-Filmitalia and New York's prestigious Film
Society of Lincoln Center, with the collaboration of the Italian Cultural
Institute, New York.

Download the programme:
 > http://www.aip-italia.com/Files/2005/05/26/1117110415886.pdf

Our movie "Lavorare con lentezza: Radio Alice" [Working Slowly / Radio
Alice] will be screened on:
THURSDAY, JUNE 2, 6.15
FRIDAY, JUNE 3, 4.20
MONDAY, JUNE 6, 3.10
WEDNESDAY, JUNE 8, 6.30



2------------------

WORKING SLOWLY IS A FILM FOR EVERYONE
by Guido Chiesa [2004, excerpt]

Those for whom one less day of holiday is one more day of toil.
Those whose heart doesn't throb when the national anthem is played.
Those who have lost their way yet keep on going.
Those who think that the class you belong to matters even after school.
Those who aren't ashamed to take themselves seriously *and* laugh at
themselves.
Those who are never made happy by an increase in the GDP.
Those who would never send anyone - even Him* - to a factory or to prison.
Those who weren't better off when they were worse off.
Those who have lost track of how many sacrifices…
Those who are deaf when Patriotism calls.
Those who think that there aren't any foreigners.
Those for whom a robbery is always a little more than just theft.
Those who prefer irony to nostalgia.
[...]
Find the language to tell about new transformations.

*- Berlusconi, of course.

3------------------

THE SEVENTIES? WHAT SEVENTIES?

by Wu Ming [2004]

When Guido Chiesa asked us to write a screenplay with him for a feature
film on Radio Alice and the Seventies in Bologna, before we gave him the
final answer we made the usual test, the one we did before writing all our
historical novels, from Q to 54. We asked ourselves what clichés spoil the
memory and epic poetry of those years,  and what were the tesseras missing
for the composition of a likely and effective mosaic, which would put
everything in perspective.
Franco Berardi, known to everyone as Bifo, pointed out that *the colours*
are missing. True: the old tv footage is nearly all in black and white, and
yet even then, even on the "movement" side of the decade, skies were blue
and leaves green and eyes blue or green or hazel. It's the same old
problem: we imagine periods with the colours of the support they were
recorded on, colours faded with time. OK. Colours. But is it only a
chromatic matter?
As chance would have it, the very stereotypes that fixed the memory of that
decade go arm in arm with the least coloured of colours: grey. The grey of
lead, undoubtedly, the Years of Lead, but also the grey of those old trash
cans, because up to the seventies, our imagination saw mainly this: the
armed struggle and trash culture; the Red Brigades, and ludicrously catchy
music. It's time to say it loud and clear: fuck revivals! Yesterday's trash
is STILL rubbish.
Guido's proposal meant this above all: experiment with a discourse on the
Seventies without getting trapped in one cliché or another. Refuse
believing that the complexity of that decade could be represented only by
B-Movie comedian Bombolo and Red Brigade leader Mario Moretti. Bombolo and
Moretti united in struggle.
The radical movements of the period weren't necessarily leaden, they were
not only fanaticism and violence. Where's all the rest? Where is the
strength-invention, the "hundred of flowers blossoming", the acid
silk-screen colours, the 'zines, the graphic and sound cut-up, the
deconstructed language of free radios, the squats, the bursting out of
slang and regional accents after decades of national public tv diction? In
a way, the real, grand crime of armed struggle was the usurpation of the
manifold memory of movements, in cahoots with the ruling class of the First
Republic.
What is to be done? First step: we would talk about 1976-77 (the actual
period), not just about Seventy-Seven (the mythology of the movement).
Method: read the old newspapers, just like we'd done for 54. Pay attention
to the news, the culture, crime events unrelated with politics, even
frivolous matters. Open the windows and let air in. We got along with Guido
immediately. It had to be clear, the story of Radio Alice and the March
riots was full of stereotypes and distortions, always the same two or three
anecdotes, the same two or three photos. So we welcomed the opportunity to
try out an unexpected approach.
Second step: according to a typical approach of our collective, we'd talk
about a contemporary yet unrelated event, something that happened at the
same time as the riots, or shortly before. Besiege Qin to strike Wei. Hide
the purpose of a plot that seems to barely skim over them. Avoid
stereotypes and catechistic temptations, propose a different and strange
point of view on the whole occurrence.
It was in the papers from that period that we found the news of a
mysterious robbery "with hole", which from the canals under the Bologna
streets was to take a commando of "moles" to the floor of the Bologna
Savings & Loans vaults. The assonance between this underground city and the
Bologna underground movement and Radio Alice set off the spark. The fact
that the robbery - like any revolution - failed a hair's breadth from its
success, made the connection even stronger. The police never succeeded in
catching the criminals because they were too busy repressing guerrilla
warfare in the streets. Everything was perfect. To find our treasure, we
had to start digging along with the guys involved in that robbery.


4------------------

YOU'RE LAZY

We are known all around the world, aren't we?
The DVD of the film we co-wrote was just released, wasn't it?
This DVD is encoded for Region 2, isn't it?
The film was screened at various international festivals with English
subtitles, wasn't it?
The film is being screened in the UK and the US, isn't it?
A Region 2 DVD works on all European and Middle-East players, doesn't it?
Thus, it was utterly predictable that this particular DVD would be
purchased also by people who don't speak Italian, wasn't it?
Since the English subtitles already existed, it was also predictable that
they'd end up onto the DVD, wasn'it?
It wouldn't have added any cost after all, right?
Aye, so?
So 'tis pity there is no trace of English subtitles on the "Working Slowly"
DVD.
"I thought this was the case so ordered a copy from internetbookshop.it,
but it only has subtitles in Italian..."
Yes, it only has subtitles in Italian for the hearing impaired. That's all
right, that's great, but there are more English reading people on Earth
than there are deaf people.
You're lazy, you just stay in bed.
You're lazy, you just stay in bed.
You don't want no money, you don't want no bread.


5---------------------

MYSTERY, HISTORY AND THEOLOGY
 > http://www.wumingfoundation.com/italiano/rassegna/calcutta_Q.htm


6---------------------

DVD / WHAT HAPPENED TO LUTHER BLISSETT?

Ten years have passed since the first apparition of the Luther Blissett
multiple name and mythopoetic icon. The first Five Year Plan had Italy as
the epicentre of the Project: media hoaxes, pranks, anti-copyright stunts,
geo-psychic paths, and a plenty of books, 'zines, records etc. The Plan was
follow'd by five more years, a rather obscure period during which Luther
Blissett was occasionally spotted here and there on the skin of the Earth.
He infiltrated a national radio broadcast in Australia and a very popular
soccer show in the UK. But where is he now? Is he alive? Did he retire to
private life? Do we still need his presence?
With your help, answers to these and other questions will hopefully fill up
a commemorative DVD. It will be free of copyright, produced by Wot4 Records
& Media Mente Trash Film Company, in collaboration with AAA edizioni. It
will feature rare experimental films, vintage video clips, home movies,
closed-circuit tv footage, a lot of pics and as-yet-unpublished texts by
and about Luther Blissett, plus your personal interpretation of the Luther
Blissett phenomenon.
- Make your video-answer to the question: "What happened to Luther
Blissett?" (max 5 minutes). Investigate the disappearance of Luther, find
and interview his friends and acquaintances, try and tell the false from
the true in the media landscape, have a low-fi look on life through
Luther's eyes. Write a song inspired by Blissett and shoot the videoclip,
look for text or video relics of Blissett history. List the places Blissett
visited etc.
- Send us your work, preferably on CD/DVD. We will be free to use it as it
is, edit it, cut'n'mix it. All the authors will be credited but
reproduction of the work will be completely free for non-commercial usage,
as usually happens with Luther Blissett's output.
- Each author will receive a free copy of the DVD. This is a no-profit
project, the work will be sold at a very low price ("don't pay more than 10
euros") to make up for the expenses.
Send your audio and video stuff to: Charlie Holmes / Wot4, Piazza
Torrifagiani 14, 50050 Vico D'Elsa (FI), Italy
Send your texts to: Vittore Baroni / AAA, via Via C. Battisti 339, 55049
Viareggio (LU), Italy



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Our novel 54 (William Heinemann, London 2005) can be purchased here:
 >
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